Aperture is a hole within a lens controlled by a diaphragm to allow variable amounts of light through. There is a diaphragm inside the lens that controls the size of the aperture. It is easiest to think of our eyes. Your pupils dilate in low light and close when exposed to more light. The changing size of the pupils is similar to what you are doing when you change your aperture.
Aperture is controllable on most cameras, but is limited by the lens. If you have a camera with interchangeable lenses you will see a marking on the lens like f/1.2 or f/3.5-6.3. This is called f-stop and it is used to refer to the size of the aperture. On a prime lens it will have a single number which indicates the largest setting that the aperture can have. On most zoom lenses you will see two numbers indicating the widest aperture at the least zoom and the widest aperture at the most zoom. This is because on less expensive lenses when you zoom in it automatically forces the diaphragm to close to a degree.
As you probably already guessed the wider that diaphragm the more light will get to the sensor resulting in a brighter exposure. This is why cameras with a wide aperture are called fast lenses. They allow more light to enter the camera letting your shoot with a faster shutter speed. The wider the diaphragm the smaller your f-stop number.
Think of it like your curtains. If you close your curtains on a sunny day and only let a sliver of light through it is the same as closing the diaphragm of your lens. If you open your curtains all the way you can see that much more light enters the room. If your curtains are wide open it is the same as a wide open diaphragm which would be the smaller number when setting your f-stop. My 50mm lens has an f-stop of 1.2 which is the widest setting for the diaphragm on my lens, but I can close the diaphragm to an f-stop of 22 Almost all lenses with a variable aperture will close down to an f-stop of at least f/16 so the widest aperture setting is the only number necessary to be listed for the lens. The closer that number is to 0 the more potential the lens has for shooting in darker environments: and a second very important feature of a wide aperture....BOKEH
Bokeh is the asthetic quality of the blur produced by a fast lens; that is a lens with a very wide aperture. You see, the wider you set your aperture the smaller your depth of field. For example, if you were to take three traffic cones and set them at 2', 4' and 6' from the camera a wide depth of field would allow you to take a picture with all three cones in focus. This would be achieved by setting a smaller aperture: probably an f-stop of f/8 or more. If you shot it at f/3 and focused on the center cone then both the closer cone and the farthest cone would be blurred out of focus. A very fast lens like a 50mm f/1.2 can narrow that depth of field so much that if you focused on a persons eye the pupil could be in focus but the eyelashes could be slightly blurred.
Here is an example of a photo shot with a wide aperture. You can see that the main subject is in focus, but the foreground and background of the picture are blurred out. (if I still had my original
image I could tell you exactly what my aperture was set at)
Here is an example of a picture taken with a much smaller aperture: probably closer to f/16 and everything in the picture is in focus. On a side note, we are so spoiled in the United States; this lady digging through the trash is smiling.












